2022 Cannes Coverage Wrap-Up: Competition
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Armageddon Time – James Gray [Review]
Boy from Heaven – Tarik Saleh [Review]
Broker – Hirokazu Kore-eda [Review]
Frère et sœur – Arnaud Desplechin [Review]
Close – Lukas Dhont [Review]
Crimes of the Future – David Cronenberg [Review]
Decision to Leave – Park Chan-wook [Review]
The Eight Mountains – Charlotte Vandermeersch, Felix van Groeningen [Review]
Eo – Jerzy Skolimowski [Review]
Les Amandiers – Valeria Bruni Tedeschi [Review]
Holy Spider – Ali Abbasi [Review]
Leila’s Brothers – Saeed Roustayi [Review]
Un petit frère – Léonor Serraille [Review]
Nostalgia – Mario Martone [Review]
Pacifiction – Albert Serra [Review]
R.M.N. – Cristian Mungiu [Review]
Showing Up – Kelly Reichardt [Review]
Stars at Noon – Claire Denis [Review]
Tchaikovsky’s Wife – Kirill Serebrennikov [Review]
Tori et Lokita – Jean-Pierre and Luc Dardenne [Review]
Triangle of Sadness – Ruben Östlund [Review]
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).
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